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Contents
1. Why we have guidelines2. Be who you say you are3. If you are an artist4. If you are an organisation5. Talking about money6. Keep bookings on the Platform7. How we treat each other8. Honest reviews9. What belongs on your profile10. When guidelines are broken11. Reporting a problem
Plain-language summary of the Terms

Community Guidelines

Last updated: September 10, 2026 ยท Applies to every artist and organisation on the Platform

These guidelines do not add anything to what you already agreed to. Every rule below restates part of our Terms of Service in plain language, and each section links to the clause it comes from. Where the two could be read differently, the Terms govern.

1. Why we have guidelines

Faith On Stage exists so that churches, ministries and Christian events can find and book artists without the awkwardness of an unclear agreement: no informal WhatsApp bookings, no vague promises about payment, no wondering whether the other person will turn up.

That only works if both sides behave well. The contract and the escrow handle the money. These guidelines handle everything the contract cannot: how you describe yourself, how you speak to each other, and what you do when something goes wrong.

The short version: be honest about who you are, do what you said you would do, and treat the person on the other side as a brother or sister rather than a transaction.

In the Terms: Terms of Service

2. Be who you say you are

Your profile is the basis on which someone decides to trust you with an event or an evening of ministry. It has to be true.

  • Use your own name, your own photos and your own recordings. Do not present someone else's work as yours.
  • Do not impersonate another person, artist, church or organisation.
  • Keep your rate, availability and services up to date. An out-of-date profile wastes the other party's time.
  • If you are an organisation, only create an account for a ministry you genuinely represent and are authorised to book on behalf of.
In the Terms: Section 10, Prohibited Uses; and Section 7 on accurate profile information

3. If you are an artist

An organisation planning a service or a conference is working to a date that cannot move. What they need most from you is a clear answer and a reliable presence.

  • Reply to booking requests within 48 hours, even when the answer is no.
  • Honour every booking you accept, and arrive on time.
  • Deliver the service you agreed to, at a professional standard.
  • If an emergency genuinely prevents you from performing, tell the organisation and tell us as soon as you know, not on the day.
  • Hold any licences, permits or registrations your art form requires.
  • Only upload photos, video and audio you have the right to use.
In the Terms: Section 7, Artist Obligations

4. If you are an organisation

An artist is committing a date, travel and preparation to your event, often turning other work down to do it. What they need from you is accurate information and a safe place to minister.

  • Give accurate event details: date, location, duration, expected audience and technical requirements.
  • Provide a safe, appropriate and faith-affirming environment for every performance.
  • Pay into escrow on time: 14 days before the event, or straight away once the artist has signed if your booking is last-minute (less than 14 days before the event).
  • Tell the artist promptly if anything material about the event changes.
  • Provide the equipment, sound and technical support you agreed to; a technical rider is part of the agreement, not a wish list.
  • Arrange your own permits, insurance and music licensing (CCLI or equivalent).
In the Terms: Section 8, Organisation Obligations

5. Talking about money

Money is the part people find hardest to raise in a ministry setting, so the Platform is built to make it explicit rather than awkward. The honorarium is agreed before anything is signed, the organisation pays the service fee on top, and the artist receives the full amount they agreed to.

  • Agree the honorarium in writing on the Platform before the contract is signed. Do not renegotiate it afterwards.
  • Some artists choose to minister for a love offering, or for no payment at all. That is their decision to offer, never something to press for.
  • Do not pressure an artist to lower their rate by appealing to their faith or their calling.
  • Do not ask an artist to invoice for a different amount than the one agreed, or to take part of the fee off-platform.
  • Cover the costs you said you would cover, such as travel or accommodation, in full and on time.
In the Terms: Section 5, Payments, Fees & Escrow; and Section 6 on cancellations

6. Keep bookings on the Platform

The contract, the escrow, the dispute process and the ability to get your money back all depend on the booking existing here. A booking taken off-platform has none of that protection, for either side.

  • Do not move a booking off the Platform to avoid the service fee.
  • Do not exchange personal contact details before a booking is confirmed. Until then, keep the conversation in Platform messages.
  • For twelve months after an introduction made through the Platform, book that artist or organisation here rather than privately.

This is not about controlling your relationships. Once a booking is complete you are free to build on it; the rule exists so that neither party loses the contract and the escrow that protect them.

In the Terms: Section 10 on circumvention; and the twelve-month clause in Section 7 and Section 8

7. How we treat each other

Disagreements happen: a date moves, a sound system is not what was promised, an expectation was not shared. How you handle it is what matters.

  • No harassment, threats or abuse, in messages or in reviews.
  • No spam, unsolicited promotion or mass messaging.
  • No discrimination against anyone on the Platform.
  • Raise a problem with the other party first, plainly and early. Most disputes come from something that was never said out loud.
  • If you cannot resolve it between you, open a dispute rather than escalating in public.
In the Terms: Section 10, Prohibited Uses; and Section 12 on dispute resolution

8. Honest reviews

Reviews are how the next organisation decides who to trust. Both parties review each other, and neither review is published until both are in, so nobody is writing a reply to what the other person said.

  • Write what actually happened. Do not exaggerate in either direction.
  • Do not offer, ask for or accept anything in exchange for a positive review.
  • Do not use a review to settle a disagreement that belongs in a dispute.
  • Review the booking, not the person's character, appearance or theology.
In the Terms: Section 9, Verification & Reviews

9. What belongs on your profile

This is a Christian platform and the content on it should be something you would be comfortable showing to the congregation you are ministering to.

  • Nothing sexually explicit, hateful, or promoting violence.
  • Nothing that contradicts the Christian faith values this Platform is founded on.
  • Nothing that infringes someone else's copyright or trademark, including backing tracks and cover recordings you do not have the rights to.
  • No malware, scraping, bots, or automated collection of Platform data.
  • No using content or data from the Platform to train generative AI models.
In the Terms: Section 10, Prohibited Uses; and Section 11 on intellectual property

10. When guidelines are broken

We would rather correct something than remove someone. Most first problems end with a conversation. Where that is not enough, the response is proportionate to what happened and whether it is repeated:

  • A warning, and a request to put it right.
  • Removal of specific content from a profile.
  • Withdrawal of the Verified badge, which can be restored if conduct improves.
  • Suspension of the account while we look into it.
  • Permanent closure of the account, for serious or repeated breaches.

Fraud, impersonation, harassment and anything that puts someone's safety at risk go straight to suspension. Pending payouts are handled according to the Terms before an account is closed.

In the Terms: Section 13, Termination

11. Reporting a problem

If someone is behaving in a way that does not belong here, tell us. Reports are handled privately and we do not disclose who raised them to the person being reported.

For anything to do with a specific booking, open a dispute on the booking itself; that keeps the chat, the contract and the files together where we can see them. For anything else, email us.

Faith On Stage
Report a concerninfo@faithonstage.com
Booking disputesOpen a dispute on the booking
Help Centrefaithonstage.com/help
How this relates to the Terms: these guidelines are a readable summary and create no obligations beyond the Terms of Service, which is the binding agreement. Where a guideline and the Terms could be read differently, the Terms apply.